The Book of Revelation has always been something of a Rorschach test—especially in America. In the short history of the nation, probably no other book has justified as many soap-box sermons and hare-brained schemes as it has, and perhaps none ever will. But neither has any book produced a more profound vision of America's hopes, duties, dreams, and destiny.

This exhibition celebrates the American stage—our playwrights, their plays, and that creative talent which transforms words into living theatre. A testament to our cultural heritage, the items assembled here capture the excitement and dynamism of more than two centuries of American theatre history. They take us simultaneously behind the scenes and into the limelight.

The Barrett Daycare Center, formerly the Janie Porter Day Nursery, has been providing quality child care for the Charlottesville community for over sixty years. The records of this facility document the growth, successes, struggles, and changes in the African-American community in Charlottesville. In addition, the records tell much about conditions in other organizations such as this one in the Commonwealth of Virginia, and throughout the nation.

The Catalogue of an exhibition of rare books, manuscripts, maps, engravings, and photographs related to the literature of nature written about western Virginia from the seventeenth through the twentieth centuries, this exhibition is based on the research for The Height of Our Mountains: Nature Writing from Virginia's Blue Ridge Mountains and Shenandoah Valley, much of which took place in the Special Collections Department of Alderman Library.

Angelica Schuyler Church, the daughter of a general in the Continental Army and the wife of a prominent British businessman, traveled in social circles that included the most prominent figures of her time. The Church archive contains correspondence from the period of the founding of America, including letters from George Washington, Alexander Hamilton, Thomas Jefferson, and the Marquis de Lafayette.

The history of the Jewish community of Charlottesville shares much in common with the broad sweep of the Jewish experience in the South and throughout America. It is a story of colonial-era Sephardic Jews and of nineteenth-century immigrants first from Bavaria and Wurttemberg and then from Kovno and Minsk. It is a story of peddlers and merchants, and of involvement and leadership in local government, the arts and education. It is a story of the commitment of a few to the creation and maintenance of local civic and religious institutions.

"The Book in Tibet" is a mini-exhibition curated by Ben Nourse with the assistance of Christie Kilby and Natasha Mikles, all current or former Ph.D. students in Tibetan studies at the University of Virginia. The exhibition is an adjunct to the Symposium on the Tibetan Book being held at UVA Nov. 6-8, 2014.

The fire of October 27, 1895, was a disaster: only the shell of the Rotunda remained standing; the Annex was a smoldering ruin; and two-thirds of the University Library's collection was destroyed. But the University did more than simply reconstruct the Rotunda. In the wake of the destruction emerged a rebuilt Rotunda, designed by Stanford White; three new buildings at the south end of the Lawn; a revitalized University Library; and a University with a growing national reputation.

"Nothing from Something" is a new series of work by artist R. Mertens influenced by minimal and post-minimal art from the 60s and 70s and Minimal Music Visualization. Emphasizing the role of process in fiber arts and minimal music, this work addresses ideas of (mis)communication, spirituality, interconnections, repetition, post-structuralist aesthetics, and art history. R. Mertens is a Visiting Professor in Art at James Madison University where he is an artist and recording engineer. He owns and operates "The Weaving Room," a textile and audio recording studio.

#Carbonfeed is a soundscape/data visualization installation. Through sonifying Twitter feeds and correlating individual tweets with a physical, data visualization in public spaces, #CarbonFeed directly challenges the popular notion that virtuality is disconnected from reality.